How do you use focalization in omniscient narration?
Learn how to use focalization to show the thoughts and feelings of multiple characters in a single scene with examples from Maggie O'Farrell's The Marriage Portrait.
How do you make a dialogue-focused scene feel active?
Need to keep a dialogue-focused scene from feeling slow and boring? Pick up tips from this analysis of a scene from Jesse Q. Sutanto’s Dial A for Aunties.
How do you make omniscient narration fresh and modern?
Is there a place for omniscient narration, associated closely with nineteenth-century novels, in a twenty-first-century literary landscape dominated by limited narration?
